@juddfoundation

Judd Foundation @juddfoundation

Judd Foundation maintains, preserves & provides access to the permanently installed spaces & archives of artist Donald Judd in New York & Marfa, TX.

https://juddfoundation.org/

⁣High School students can visit ‪101 Spring Street for free through the generous support of the New York City Council. Tickets can be booked on our website.⠀
⠀
“Then in November 1968 I bought a cast-iron building on the corner of Spring and Mercer Streets. It was built in 1870 and the architect was Nicholas Whyte. The five floors were open. I thought they should remain open. Despite being ruined inside, the building set conditions which could not be violated. Most of the building simply contains art. The little I’ve added to the building in reworking the interior is nevertheless to me very important, constituting serious ideas, architectural, but also the result and cause of some works of art.” –Donald Judd, ‘Art and Architecture,’ 1987 ⠀
⠀
#juddfoundation #101springstreet
@juddfoundation

⁣High School students can visit ‪101 Spring Street for free through the generous support of the New York City Council. Tickets can be booked on our website.⠀ ⠀ “Then in November 1968 I bought a cast-iron building on the corner of Spring and Mercer Streets. It was built in 1870 and the architect was Nicholas Whyte. The five floors were open. I thought they should remain open. Despite being ruined inside, the building set conditions which could not be violated. Most of the building simply contains art. The little I’ve added to the building in reworking the interior is nevertheless to me very important, constituting serious ideas, architectural, but also the result and cause of some works of art.” –Donald Judd, ‘Art and Architecture,’ 1987 ⠀ ⠀ #juddfoundation #101springstreet

⁣Earlier this year Judd Foundation announced the launch of the Index of Works, a new online database of the more than 140 works of art in the installed spaces in New York and Texas. Works in the Index are searchable by artist, work type, date, and location.⠀
⠀
Claes Oldenburg made this drawing installed at 101 Spring Street, his first known use of the mouse as a motif, as a study for a poster for his solo exhibition at the Dwan Gallery in October 1963. Through the 1960s and beyond, the mouse would become a significant figure for Oldenburg. In 1969, the artist contributed a drawing of a mouse to be etched on a tiny ceramic wafer and deposited on the moon; [The Moon Museum], measuring half an inch by three-quarters of an inch, also includes drawings by Robert Rauschenberg, David Novros, John Chamberlain, Forrest Myers, and Andy Warhol. ⠀
⠀
Donald Judd also installed two other works by Oldenburg at 101 Spring Street: [Red Sausages], 1961 and [Soft Ceiling Lights at La Coupole], 1964-1972.⠀
⠀ ⠀
#juddfoundation #101springstreet ⠀ ⠀ ⠀
⠀
Image: Claes Oldenburg, [Mickey Mouse], 1963, crayon on paper, 16 3/4 × 14 inches (42.5 × 35.6 cm) © Claes Oldenburg
@juddfoundation

⁣Earlier this year Judd Foundation announced the launch of the Index of Works, a new online database of the more than 140 works of art in the installed spaces in New York and Texas. Works in the Index are searchable by artist, work type, date, and location.⠀ ⠀ Claes Oldenburg made this drawing installed at 101 Spring Street, his first known use of the mouse as a motif, as a study for a poster for his solo exhibition at the Dwan Gallery in October 1963. Through the 1960s and beyond, the mouse would become a significant figure for Oldenburg. In 1969, the artist contributed a drawing of a mouse to be etched on a tiny ceramic wafer and deposited on the moon; [The Moon Museum], measuring half an inch by three-quarters of an inch, also includes drawings by Robert Rauschenberg, David Novros, John Chamberlain, Forrest Myers, and Andy Warhol. ⠀ ⠀ Donald Judd also installed two other works by Oldenburg at 101 Spring Street: [Red Sausages], 1961 and [Soft Ceiling Lights at La

⁣This Saturday, July 20, will be the last day to see the current ground floor exhibition of architectural drawings and watercolors by the architect and artist Lauretta Vinciarelli at 101 Spring Street. Open hours of the @artforum artguide ‘Must See’ exhibition, are today and tomorrow from 1:00-5:30pm. ⠀
⠀
Curated by Caitlin Murray, ‘Lauretta Vinciarelli’ is made possible with support from Ronnie Heyman and Loren Pack & Robert Beyer. ⠀ ⠀
⠀
#juddfoundation #101springstreet ⠀ ⠀ ⠀
⠀
Image: Lauretta Vinciarelli, [Project for a Productive Garden in an Urban Center in South West Texas], c. 1979, colored pencil on tracing paper, 1 of 3 drawings, each 23 1/4 x 41 1/2 inches (59.1 x 105.4 cm)
@juddfoundation

⁣This Saturday, July 20, will be the last day to see the current ground floor exhibition of architectural drawings and watercolors by the architect and artist Lauretta Vinciarelli at 101 Spring Street. Open hours of the @artforum artguide ‘Must See’ exhibition, are today and tomorrow from 1:00-5:30pm. ⠀ ⠀ Curated by Caitlin Murray, ‘Lauretta Vinciarelli’ is made possible with support from Ronnie Heyman and Loren Pack & Robert Beyer. ⠀ ⠀ ⠀ #juddfoundation #101springstreet ⠀ ⠀ ⠀ ⠀ Image: Lauretta Vinciarelli, [Project for a Productive Garden in an Urban Center in South West Texas], c. 1979, colored pencil on tracing paper, 1 of 3 drawings, each 23 1/4 x 41 1/2 inches (59.1 x 105.4 cm)

⁣Each fall, Judd Foundation invites the public to join us for Casa Perez Ranch Day, a unique chance to experience one of Donald Judd’s three ranches.⠀
⠀
Photographs of Casa Perez taken by Flavin Judd, as well as an interview, are featured in issue No8 of @upstate_diary. ⠀
⠀
Images and information on works installed in the space can also be found on the new online Index of Works. ⠀
⠀
More information on Ranch Day 2019 will be available on our website later this summer.⠀
⠀
#juddfoundation #donaldjudd
@juddfoundation

⁣Each fall, Judd Foundation invites the public to join us for Casa Perez Ranch Day, a unique chance to experience one of Donald Judd’s three ranches.⠀ ⠀ Photographs of Casa Perez taken by Flavin Judd, as well as an interview, are featured in issue No8 of @upstate diary. ⠀ ⠀ Images and information on works installed in the space can also be found on the new online Index of Works. ⠀ ⠀ More information on Ranch Day 2019 will be available on our website later this summer.⠀ ⠀ #juddfoundation #donaldjudd

⁣#juddrecommends ‘A Luta Continua,’ an exhibition of the Sylvio Perlstein Collection at Hauser & Wirth, Hong Kong. The exhibition, originally presented in 2018 at Hauser & Wirth, New York features untitled, 1964 by #donaldjudd and is on view through July 27.⠀
⠀
Image: Installation view, ‘A Luta Continua,’ Hauser & Wirth, Hong Kong. Regram @serendella
@juddfoundation

#juddrecommends ‘A Luta Continua,’ an exhibition of the Sylvio Perlstein Collection at Hauser & Wirth, Hong Kong. The exhibition, originally presented in 2018 at Hauser & Wirth, New York features untitled, 1964 by #donaldjudd and is on view through July 27.⠀ ⠀ Image: Installation view, ‘A Luta Continua,’ Hauser & Wirth, Hong Kong. Regram @serendella

Join us today for open hours of the Lauretta Vinciarelli exhibition at 101 Spring Street from 1:00-3:30pm. The exhibition includes twenty-three architectural drawings and watercolors comprising four distinct studies by the architect and artist, including the Puglia project.⠀
⠀
Next Wednesday, Barry Bergdoll, Meyer Schapiro Professor of Art History and Archaeology and Director of Undergraduate Studies at Columbia University, will moderate a discussion on Vinciarelli’s work with Sean Anderson, Associate Curator in the Department of Architecture and Design at The Museum of Modern Art; Marta Gutman, Professor of Architectural and Urban History at the Spitzer School of Architecture, City College of New York and a member of the doctoral faculty of Art History at The Graduate Center City College of New York; Mary McLeod, Professor of Architecture at Columbia GSAPP, and James Russell, Architecture critic. The talk is at capacity, please visit our website for more information and waitlist ticket availability.⠀
⠀
The exhibition is free and open to the public Thursdays-Saturdays through July 20, 2019. #laurettavinciarelli #juddfoundation⠀
⠀
Image: Lauretta Vinciarelli and Leonardo Fodera, Puglia project, 1975-1977. Ink and colored pencil on mylar, 17 1/4 x 22 3/4 inches (44 x 58 cm)
@juddfoundation

Join us today for open hours of the Lauretta Vinciarelli exhibition at 101 Spring Street from 1:00-3:30pm. The exhibition includes twenty-three architectural drawings and watercolors comprising four distinct studies by the architect and artist, including the Puglia project.⠀ ⠀ Next Wednesday, Barry Bergdoll, Meyer Schapiro Professor of Art History and Archaeology and Director of Undergraduate Studies at Columbia University, will moderate a discussion on Vinciarelli’s work with Sean Anderson, Associate Curator in the Department of Architecture and Design at The Museum of Modern Art; Marta Gutman, Professor of Architectural and Urban History at the Spitzer School of Architecture, City College of New York and a member of the doctoral faculty of Art History at The Graduate Center City College of New York; Mary McLeod, Professor of Architecture at Columbia GSAPP, and James Russell, Architecture critic. The talk is at capacity, please visit our website for more information and

⁣Judd Foundation in New York and Marfa will be closed tomorrow, July 4, in observance of Independence Day. Guided visits will resume regular scheduling on Friday, July 5.⠀
⠀
#juddfoundation ⠀
⠀
Image: @martienmulder of South room, East building, La Mansana de Chinati/The Block.
@juddfoundation

⁣Judd Foundation in New York and Marfa will be closed tomorrow, July 4, in observance of Independence Day. Guided visits will resume regular scheduling on Friday, July 5.⠀ ⠀ #juddfoundation ⠀ ⠀ Image: @martienmulder of South room, East building, La Mansana de Chinati/The Block.

We are saddened to learn of the passing of Barbara Hunt McLanahan. Barbara was the Executive Director of Judd Foundation from 2006 to 2013, a central period of development and growth for the organization. She was instrumental and invaluable in building our team, providing guidance to our staff. All of us at Judd Foundation honor her legacy in the arts. Thank you for everything, we will miss you.
@juddfoundation

We are saddened to learn of the passing of Barbara Hunt McLanahan. Barbara was the Executive Director of Judd Foundation from 2006 to 2013, a central period of development and growth for the organization. She was instrumental and invaluable in building our team, providing guidance to our staff. All of us at Judd Foundation honor her legacy in the arts. Thank you for everything, we will miss you.

⁣Judd Foundation is grateful for your visits, your contributions, and your enthusiasm for Don’s work and legacy. This past year has brought a renewed focus on our work in preservation. With your support, we initiated the restoration of Judd Foundation’s Marfa spaces and launched the Index of Works, a new online resource for the works of art in Don’s living and working spaces. ⠀
⠀
Looking ahead, we eagerly anticipate the publication of ‘Donald Judd Interviews’ this fall, as well as the upcoming retrospective at The Museum of Modern Art in the spring of 2020. These activities are all part of the new programs, membership, and expanded access we are excited to share with you in the year ahead. ⠀
⠀
Please consider making a gift today to help us continue to preserve and share the vital work in the spaces as Don intended. As always, thank you for all you do to support the work of Judd Foundation.⠀
⠀⠀
#juddfoundation #donaldjudd #donaldjuddinterviews #indexofworks⠀
⠀
Image: Print Building, Judd Foundation, Marfa, Texas. Photo @alexmarksphoto
@juddfoundation

⁣Judd Foundation is grateful for your visits, your contributions, and your enthusiasm for Don’s work and legacy. This past year has brought a renewed focus on our work in preservation. With your support, we initiated the restoration of Judd Foundation’s Marfa spaces and launched the Index of Works, a new online resource for the works of art in Don’s living and working spaces. ⠀ ⠀ Looking ahead, we eagerly anticipate the publication of ‘Donald Judd Interviews’ this fall, as well as the upcoming retrospective at The Museum of Modern Art in the spring of 2020. These activities are all part of the new programs, membership, and expanded access we are excited to share with you in the year ahead. ⠀ ⠀ Please consider making a gift today to help us continue to preserve and share the vital work in the spaces as Don intended. As always, thank you for all you do to support the work of Judd Foundation.⠀ ⠀⠀ #juddfoundation #donaldjudd #donaldjuddinterviews

⁣#juddrecommends ‘Donald Judd’ on view at Annemarie Verna Gallery in Zürich, through July 6. The first exhibition with Donald Judd at the gallery was held from December 18, 1973 to February 21, 1974. This was followed by a connection between Judd and the gallery established by Gianfranco and Annemarie Verna that endured for twenty years. “New possibilities and methods of production characterize Donald Judd’s relationship to Switzerland. Above all, it was a work situation that led to an exceedingly relevant late body of works” recalls owner and founder Gianfranco Verna. “In Donald Judd’s entire oeuvre, there is a close, artistically significant connection between the work of art, its production and its correct installation. The responsibilities and the work processes are distinctly separate, yet all aspects need to be considered and analyzed as a single whole.”⠀
⠀
#donaldjudd⠀
⠀
Image: Donald Judd, untitled, 1989, douglas fir plywood, 50 x 100 x 50 cm
@juddfoundation

#juddrecommends ‘Donald Judd’ on view at Annemarie Verna Gallery in Zürich, through July 6. The first exhibition with Donald Judd at the gallery was held from December 18, 1973 to February 21, 1974. This was followed by a connection between Judd and the gallery established by Gianfranco and Annemarie Verna that endured for twenty years. “New possibilities and methods of production characterize Donald Judd’s relationship to Switzerland. Above all, it was a work situation that led to an exceedingly relevant late body of works” recalls owner and founder Gianfranco Verna. “In Donald Judd’s entire oeuvre, there is a close, artistically significant connection between the work of art, its production and its correct installation. The responsibilities and the work processes are distinctly separate, yet all aspects need to be considered and analyzed as a single whole.”⠀ ⠀ #donaldjudd⠀ ⠀ Image: Donald Judd, untitled, 1989, douglas fir plywood, 50 x 100 x 50 cm

⁣⁣Judd Foundation is pleased to announce the publication of ‘Donald Judd Interviews’ with David Zwirner Books this fall. The first compilation of its kind, this book presents sixty interviews with Judd over the course of four decades, as well as a substantial body of unpublished material across a range of mediums, including radio and film. Edited by Flavin Judd and Caitlin Murray, this title will be available in November 2019. Programs in New York and Marfa to accompany the publication will be announced in early fall.⠀
⠀
To learn more about ‘Donald Judd Interviews,’ and how to pre-order the companion volume to the critically acclaimed ‘Donald Judd Writings’ visit the writings portion of our website.⠀⠀
⠀⠀⠀
#donaldjudd #juddfoundation #donaldjuddinterviews
@juddfoundation

⁣⁣Judd Foundation is pleased to announce the publication of ‘Donald Judd Interviews’ with David Zwirner Books this fall. The first compilation of its kind, this book presents sixty interviews with Judd over the course of four decades, as well as a substantial body of unpublished material across a range of mediums, including radio and film. Edited by Flavin Judd and Caitlin Murray, this title will be available in November 2019. Programs in New York and Marfa to accompany the publication will be announced in early fall.⠀ ⠀ To learn more about ‘Donald Judd Interviews,’ and how to pre-order the companion volume to the critically acclaimed ‘Donald Judd Writings’ visit the writings portion of our website.⠀⠀ ⠀⠀⠀ #donaldjudd #juddfoundation #donaldjuddinterviews

⁣“I have learned a great deal by having other artists’ work always present. It’s the only way to understand their work. Galleries and museums provide information but not a situa­tion for comprehension. I’ve always needed my own work in my own space to understand it and to think of further pieces.
@juddfoundation

⁣“I have learned a great deal by having other artists’ work always present. It’s the only way to understand their work. Galleries and museums provide information but not a situa­tion for comprehension. I’ve always needed my own work in my own space to understand it and to think of further pieces." –Donald Judd, ‘Judd Foundation,' 1977⠀⠀⠀ ⠀ ⠀ The works installed in the Judd Foundation spaces in New York and Texas include works by Judd and twenty-five other artists. Information on these works is now available in the new Index of Works, an online database searchable by artist, work type, date, and installed location.⠀ ⠀ ⠀ #donaldjudd #juddfoundation #101springstreet ⠀ ⠀ ⠀ Images: 101 Spring Street, New York. Regram @jasonschmidtstudio

Next